Sculpture

 

Before he started experimenting with Venetian Paperwork, John used other sculptural processes, such as wood carvings, gypsum and paper maché to great effect.

Having trained and developed as a woodcarver, draughtsman and restorer since the late 60s, John has always been passionate about expressing himself by way of three-dimensional objects. Some of his dexterity in relation to three-dimensional works, Venetian Paperwork and wood carvings no doubt have their foundations in this extensive and demanding training in relation to the three-dimensional visual arts.

THE PRINCE REGENT’S FOOTWEAR AT BRIGHTON (2009)

PAPER MACHÉ

POSEIDON (2006)

PAPER MACHÉ

MAN WITH GOLDEN MOUSTACHE (2003)

PAPER MACHÉ

BUST (1977)

CHALK, GYPSUM, SAND AND GLUE

SATYR (1985)

BASS RELIEF CARVED IN ALDER