Sculpture
Before he started experimenting with Venetian Paperwork, John used other sculptural processes, such as wood carvings, gypsum and paper maché to great effect.
Having trained and developed as a woodcarver, draughtsman and restorer since the late 60s, John has always been passionate about expressing himself by way of three-dimensional objects. Some of his dexterity in relation to three-dimensional works, Venetian Paperwork and wood carvings no doubt have their foundations in this extensive and demanding training in relation to the three-dimensional visual arts.